Designs
This is what I was working on from page 5, with the treadling reversed at the top:
And this is the treadling found on page 46, bottom figure:
Wow, I really like this 2nd piece!!! It's so awesome looking! Again, I'm not fond of my choice of sample colors, but in some other colors, this would be fantastic! Also, if I included a reverse of the warp design like in the example in the book, it would be even better! This is really fun! I like that it's a whole project color-dependent design, rather than little twill designs that keep repeating themselves over and over again. It's so new! This adds a whole new dimension to my weaving! I'm so glad I bought the book!
Next I should try changing the weft color and see what happens...
On page 38, Marian makes a note about color choices. She says, "In these weavings, colors float on successive shafts two by two. An optical color merging takes place by which they [the colors] diminish in brightness and expressiveness. For this reason, it is important to choose saturated colors. Colors must show a strong contrast to each other."
Well... I guess there is my problem with this sample! I didn't use enough saturated colors! Hopefully the next one will be better...
David helping in the color selection.... it's never too early to start yarn training!
On page 38, Marian makes a note about color choices. She says, "In these weavings, colors float on successive shafts two by two. An optical color merging takes place by which they [the colors] diminish in brightness and expressiveness. For this reason, it is important to choose saturated colors. Colors must show a strong contrast to each other."
Well... I guess there is my problem with this sample! I didn't use enough saturated colors! Hopefully the next one will be better...
David helping in the color selection.... it's never too early to start yarn training!
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